PAULY TON POP FILTERS

  • Language German
  • Language English

Pauly.SuperScreen - The popfilter that leaves the voice natural

Pauly.SuperScreen - Pop Filters in Use: P120 - T30

  • P120-T30 Goosenek and vintage Neumann U47
    P120-T30 Goosenek and
    vintage Neumann U47
  • P120-T30 Gooseneck and Neumann Mic U47
    P120-T30 Gooseneck
    and Neumann Mic U47
  • P120-T30 Gooseneck and Brauner Mic
    P120-T30 Gooseneck and Brauner Mic

  • P120-T30 Gooseneck and Brauner Mic 2
    P120-T30 Gooseneck and Brauner Mic

  • P120-T30 Gooseneck and Ribbon Mic
    P120-T30 Gooseneck
    and Ribbon Mic
  • The numerous ways in which the Pauly SuperScreen can be mounted result from the Pauly Gooseneck and its long lasting resilience. It is based on the use of finest materials and outstanding workmanship.

P120 - Cone: A High Class Pop Filter for Ambitious Sound Studios

  • P120-Cone on Mic Stand Boom Arm
    P120-Cone on Mic Stand Boom Arm
  • P120-Cone on Mic Stand Boom Arm
    P120-Cone on Mic Stand Boom Arm
  • P120-Cone with vintage Neumann U47
    P120-Cone with vintage Neumann U47
Only the purest aluminum meeting the requirements of the German food laws, i.e. containing no lead, is used for the Pauly filter ring. Aluminium is the metal found most frequently in the earth. The raw pure light metal looks dull and silver grey because of its quickly developing layer of oxide when exposed to the air. This layer of oxide makes aluminum very corrosion-resistant at ph-values between four and nine. Furthermore, it does not possess any magnetic qualities unwanted in sound technology and is very durable. On top of that, aluminum is more rugged, much lighter and firmer than i. e. wood, plastic or other metals. In short, it’s an ideal raw material, but expensive. The Pauly-Adapter-Cone is made of this kind of high-purity aluminum. Ingeniously, its conical shape and mass also provide absorption of structure-born noise, optimizing the Pauly SuperScreen’s effect. The three photos at the top show various possible uses of the Adapter-Cone. It is ideal for positioning completely isolated from structure-borne noise in recording studios unwilling to make any compromise with difficult recordings. Removing the metric reduction thread enables the filter to be mounted on the standard 5/8’’ thread in the UK, U.S.A., Australia, Canada, and China.